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论《红楼梦》的结构艺术陶剑平“衔远山，吞长江，浩浩荡荡，横无际涯，朝晖夕阴，气象万千”（范仲淹：《岳阳楼记》）。以此来况《红楼梦》，可谓仿佛似之。“作画先定位置，次讲笔墨”（清王昱：《东庄论画》），作者是怎样来结构如此浩瀚的内容的？明代书画家董其昌的...
On the Structural Art of “Dream of Red Mansions” Tao Jianping “Takes a distant mountain, swallows the Yangtze River, mighty, horizontal and endless career, Zhaohui sunset yin, meteorological” (Fan Zhongyan: “Yueyang Tower”). In order to state “A Dream of Red Mansions” can be described as if similar. “Draw the first place, pen and ink” (Qing Wang Yu: “Dong Zhuang painting”), the author is how to structure so vast content? Ming Dynasty painter Dong Qichang ...