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1452年4月15日,佛罗伦萨的公证员皮埃罗和农村姑娘卡塔丽娜在芬奇村寂静的橄榄园中产下一子。不久,皮埃罗抛弃了卡塔丽娜,从小失去了母亲的达·芬奇是在祖父的抚养下长大的。身为私生子的达·芬奇后来在绘制女性肖像时,常常加入记忆中的母亲的影像,因此,在他的笔下,女性往往被描绘得至善至美。幼时,达·芬奇即被父亲送入其密友委罗基奥的门下学习绘画和雕塑。当时和他同窗习画的还有波提切利。此人后来也成为以调和人类与自然、发掘古希腊罗马传统以恢复古典精神为宗旨的文艺复兴运动的主角。有出蓝之誉的达·芬奇曾为老师委罗基奥的《基督受洗》(现藏于佛罗伦萨乌菲齐博物馆,作于1473—1475)补画天使形象,今老师深叹不如,
On April 15, 1452, Florentine notary Pierrot and the rural girl Catalina gave birth to a son in the still olive grove of the village of Finch. Shortly after Pierrot abandoned Catalina, Leonardo da Vinci, who had lost his mother since childhood, grew up under the care of his grandfather. As an illegitimate child, Leonardo da Vinci later often included the images of mothers in memory when painting female portraits. Therefore, in his works, women are often depicted as flawless and beautiful. At dawn, Leonardo da Vinci was sent to study and painting under the aegis of his closest friend, Rocio. Botticelli, who had been with his classmates at that time, also painted. This man later became the protagonist of the Renaissance movement, which reconciled mankind with nature, explored the ancient Greek and Roman traditions and restored the classical spirit. Leonardo da Vinci, who had a blue reputation, instructed Rocchio’s “Baptism of Christ” (now hidden in the Uffizi Museum in Florence for 1473-1475) to complement the angelic angels,