他的诗意的真身,一直在试图弥合接触现实的种种裂缝,他越是深入现实,他就越需要通过梦想来进行调和自我,因而这种现实与梦想交替出现在其创作中的行动轨迹更加契合「南辕北辙」的跨度与纠结。过去的十多年中,艺术家杨福东一直在一种近乎“纯真”的影像中前行,这种“纯真”事关现实与梦想的叙事,总是带着理想主义的语调与情境。 His poetic real body has been trying to bridge the various realities exposed by reality. The more he becomes deeply involved in reality, the more he needs to reconcile himself through his dreams. Therefore, the trajectory of such reality and dream alternated with his creation Fit the span and tangle of “opposite”. In the past decade or so, artist Yang Fudong has been traveling in an almost ’pure’ image. This “innocence” relates to the narration of reality and dream and always carries the tone and context of idealism .