戏剧是最适合表现人的情感的艺术形式。然而统治阶级却又把它当成宣传道德教化的工具。于是无论是中国的戏曲还是法国的戏剧,情与理的斗争贯穿着戏剧发展历程。在统治阶级思想中,是重理而轻情的,但从事创作的剧作家们,更多的是主情的。因此情与理的争斗自然就成了戏剧冲突的基础。 Drama is the most suitable form of expression of human emotion. However, the ruling class sees it as a tool to promote moral education. So whether it is Chinese drama or French drama, the struggle between emotion and reason runs through the development of the theater. In the ruling class thought, it is a matter of reason and lightness, but the playwrights who are engaged in creation are more of the sentimental. Therefore, the conflict between love and reason has become the basis of dramatic conflicts.