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《红高粱》问世以来,评论雀起:尤其对影片中野合场景,更是众说纷纭、莫衷一是。有人说:『野合』是反封建、争自由的大胆之举,充满了生机勃勃的人性美,也有人说:『野合』是贬低女性、有伤风化的丑陋之笔。究竟孰是孰非呢?我认为分析野合不能离开特定的社会环境,不能离开编导者的主体构思。这种欢爱模式,虽然有悖于传统观念与人们的观赏习惯,但是纯纯正正地表达了时难年荒中男女恋人心心相印的真挚感情,在坦荡广袤的大自然怀抱里原
Since the advent of “Red Sorghum”, comments have given rise to criticism: In particular, the scene of the Wildwood in the film is even more widely divergent. Some people say: “Yeh Ho” is a daring anti-feudal struggle for freedom and is full of vibrant human beauty. Some people also say that Yeh Ho is the pen that depreciates women and has become ugly. What is right or wrong? I think the analysis of wild can not leave a particular social environment, can not leave the director’s main idea. This kind of loving mode, although contrary to the traditional concept and people’s viewing habits, but pure and honest expression of time and man’s love affair between men and women heartfelt sincere feelings in the magnanimous embrace of nature in the original