纵观影像历史,围绕死亡主题的探讨异常丰富。有《爱德华大夫》从精神分析学的挖掘;有戈达尔只呈现暴力过程而无结果展示的书写;有《情欲与虐杀》对死亡背后人的欲望的揭露;还有《南京,南京》对残酷战争的反思,以及《活着》中宿命感的传达……日本影片《入殓师》讲述了一个以演奏大 Throughout the history of the images, the discussion around the theme of death is exceptionally rich. There is the excavation of “Doctor Edward” from psychoanalysis; the writing of Godard showing only the violent process without result presentation; the exposing of the desire behind the death of “eroticism and assassination”; and “Nanjing and Nanjing” The reflection of the war, and the transmission of the sense of destiny in “alive” ... The Japanese film “Incoming Teacher”