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本文通过对田纳西·威廉姆斯的代表作《欲望号街车》中的戏剧表演要素的分析,探讨了由他首创并贯穿其戏剧创作生涯始终的“造型戏剧”理论———强调利用诗性语言、行为、色彩、音乐以及其他非语言性的表达方式去体现抽象主题的戏剧表现手法。这一理论可谓是威廉姆斯的戏剧理念总纲,对于解读其戏剧作品有着重要意义。但就作者所见,长期以来对此所作的表述往往流于宽泛。因此,本文试图通过《欲望号街车》中对威廉姆斯戏剧理念近乎完美的应用和舞台表现,对其进行具体深入的剖析。
By analyzing the elements of theatrical performance in The Desire Streetcar, the representative of Tennessee Williams, this essay explores the “stylistic drama” theory that he pioneered and runs through his dramatic career --- emphasizing the use of poetic language , Behavior, color, music, and other non-verbal expressions of dramatic expression of abstract themes. This theory can be described as the general outline of Williams’s concept of drama, for the interpretation of its dramatic works of great significance. However, as the author has seen, the statements made about this have tended to be broad. Therefore, this article attempts to make a detailed and detailed analysis of the almost perfect application and stage performance of Williams Theater in The Streetcar Named Desire.