他站在自己简陋到近于冷峻的画室里,一手拉开窗帘,目光凝视窗外,一动也不动,浑如一尊雕像,但留给观众的只是一个衣着朴素、白发苍苍的背影……年逾古稀的艺术家在《画家及其模特儿》(1980—1981)中又一次向观众背过脸去。这个背影是并不陌生的:早在1937年的《山》中,它就出现在右端远处的山坡上;在1952—1954年的《圣安德烈商业巷》里,它再度沉浸在孤独的氛围中,虽然手里多了一只棍面包。 他几乎一生都如此。他不喜欢谈论自己,尤其 He stood in his shabby to nearly austere studio, with one hand opened the curtains, eyes staring out the window, motionless, muddy like a statue, but left the audience is just a simple, gray-haired back ... ... Years The seventy-year-old artist once again turned her back to the audience in The Painter and Its Models (1980-1981). It is no stranger to this figure: it appeared on the far right slopes of mountains in 1937, immersed in loneliness again in the 1952-1954 St. André Commercial Alley In the atmosphere, although a hand more than a stick of bread. He is almost always in his life. He does not like to talk about himself, especially