书法,是以文字书写显示艺术创造之美,又是独特的艺术语言与艺术精神。张六弢钟情于汉魏碑版与明清大草,将极朴拙与极放纵的两种审美趣味巧妙融合,形成了苍郁雄浑、纵横潇洒的书风。他在其创作过程中把哲学思想、文学意境、美学内涵等有机地融入笔端,把技法和学识修养统一于创作之中,把传统书法中的积淀按照自己的审美理想进行整合,着意强化运笔的节奏感和线条的性情表现,以多变的运笔和线条展示出新的视觉和精神美学形式。在他的书作中,可以体味到其笔墨形式的韵律美、楷书的端庄稳重、隶书的波动姿态、行书的流变婉转、草书的劲健飘逸。 Calligraphy, written writing shows the beauty of art creation, but also a unique artistic language and artistic spirit. Zhang Liutao love the tablet in the Han and Wei Dynasties with the Ming and Qing Dynasties, will be very simple and extremely indulgent aesthetic taste of two beautifully integrated, forming a clunky vigorous, vertical and horizontal chic style of writing. In the process of his creation, he incorporates philosophical thoughts, literary conceptions and aesthetics connotations organically into his writing. He integrates techniques and learning in his works, integrates the accumulation in traditional calligraphy with his own aesthetic ideal, A sense of rhythm, and a line of temperament, showing new forms of visual and spiritual aesthetics with changing brushwork and lines. In his book, you can appreciate the beauty of the rhythm of his ink and brush, regular and dignified manner of regular script, the fluctuation of official script, the mild change of written script, and the elegant and concise cursive script.