在新时期最初十年的文学作品中,有两个儿童形象的塑造十分引人注目,那就是莫言《透明的红萝卜》中的“黑孩”、王安忆《小鲍庄》中的“涝渣”,这两部作品之所以获得成功并影响广泛,原因盖出于儿童主人公身上所寄寓的内涵丰富的象征意味。事实上,他们作为某种隐喻符号,都试图将读者的思路引向人类或民族文化心理的历史深远,从而表达原 In the first ten years of the new period, there are two literary images of children, such as “Black Children” in “Transparent Carrot” and “Black Child” in Wang Anyi’s “Xiao Bao Zhuang” "The success of these two works and their widespread influence stemmed from the rich, symbolic meaning of the heroines. In fact, as a kind of metaphorical symbols, they attempt to lead readers’ thoughts to the historical and far-reaching cultural psychology of humankind or nation,