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陶艺家们在进行陶艺创作的时候往往都在考虑如何使自己的作品离自然更近,不管是在观念理念上,还是在表现手法上,还是在技术处理上,都在往自然界中最美好最朴实的地方靠拢。虽然古人也是在向自然的美好的事物靠拢,然而不同是古代人与现代陶艺家们的审美观念不一样,对作品的审美标准也不一样,古人要求作品的完整、精美、无暇,但当代陶艺家并不认为瑕疵开裂就一定不好,而是将之作为表现个人理念的一部分。也就是说,陶艺的审美观念和审美标准直接影响了陶艺视觉形态的变化。
Potters are always thinking about how to make their works closer to nature when they are doing pottery creation. Whether in concept concept, expression technique, or technical treatment, they are always the best in nature Simple place to move closer. Although the ancients are also moving closer to the beautiful things in nature, the difference is that the ancient people differ from the aesthetic concepts of modern potters in their aesthetic standards. The ancients required the works to be complete, beautiful and flawless, but contemporary pottery Home does not think the flaws of the crack will not be good, but as part of the performance of personal ideas. In other words, pottery aesthetic standards and aesthetic standards directly affect the changes in the visual form of pottery.