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关于后意象绘画《云南秘境》系列的创作与问世,笔者已先后在纸上进行了两轮笔谈,笔谈的内容也已先后在主流媒体和网络媒体公开发表。同时,还激发了阅读者和专家们的参与热情。可谓“形势大好!不是小好”(戏引某个时代的流行新闻报评语)。
With regard to the creation and appearance of post-imaginary painting “Yunnan Famine” series, the author has successively conducted two rounds of writing on paper. The contents of the written speeches have also been published in the mainstream media and online media successively. At the same time, it stimulated the enthusiasm of readers and experts. Can be described as “situation is good! Not a small good ” (play cited a period of popular news newspaper commentaries).