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清末民初,中国戏剧最大的变革是话剧的诞生。话剧是从西方传入中国的新剧种,话剧当时给中国戏剧带来的新的美学特征,是写实主义,是力求视觉逼真的舞台叙事模式。由于话剧对视觉逼真的追求建立在中西戏剧之差异、话剧与中国传统戏曲之差异的基础上,因而“逼真”成为非常强劲的审美动力,推动着中国话剧的发展。中国写实话剧演出经历了以下的阶段:从不真的表演与逼真背景的分离,到逼真的表演完全融入逼真的背景,再到逼真的表演与写意背景相得益彰,写实与写意兼容,写实与表现兼容。但是,逼真的、性格化表演仍然在写实主义话剧中拥有核心地位。
Late Qing Dynasty, the biggest change in Chinese drama is the birth of drama. Drama is a new type of drama that has been introduced into China from the West. The new aesthetic features that drama brought to Chinese drama at that time were realism and a realistic narrative model of the stage. Since the pursuit of visual reality in drama is based on the difference between Chinese and Western dramas, the difference between Chinese dramas and Chinese traditional dramas, “realistic ” becomes a very powerful aesthetic force and promotes the development of Chinese drama. The performance of Chinese realistic drama has gone through the following stages: from the separation of the true performance and the realistic background, to the realistic performance fully integrated into the realistic background, then to the real performance and the freehand background, the realistic and the freehand compatibility, the realistic and the performance compatible . However, realistic and personal performances still hold a central place in realist drama.