近几年来以来 ,处在中国社会文化历史巨流中的电影理论与电影批评 ,在失去了过去那种“热潮轮换式”的理论热情后 ,进入了一个相对沉静、稳健的历史时代。毋庸讳言 ,电影理论研究工作 ,当前面临着多重的困难和考验。然而 ,就是在这样一种文化 /历史语境下 ,中国的电影理论研究 In recent years, the film theory and film criticism, which are in the giant stream of social and cultural history in China, have entered a relatively quiet and steady historical era after losing the enthusiasm of the past “boom-and-rotation” theory. Needless to say, the film theory research is currently faced with multiple difficulties and tests. However, it is in this kind of cultural / historical context that Chinese film theory studies