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丽塔·菲尔斯基在《超越女性主义美学》一书中提到过陶丽·莫伊的一种论调:“基于反映论的女性主义美学能从女性正反两个方面的映象来阐释专题,因此最适合用于分析现实主义文本。”~①尽管朴婉绪成名已久,在韩国当代文坛上的地位坚不可摧,人们对于她早期作品的研究仍喜欢集中于主题研究的层面,对她著作中的叙事方法却鲜有研究。朴婉绪出生于1931年,在日据时期度过了她的童年。1950年她进入首尔国立大学主攻文学,并致力于成为一名作家。当她的哥哥死于战争时,她不得不放弃学业去美军
Rita Filleski referred to Tao Li Moi’s argument in his book Beyond Feminist Aesthetics: “Feminist aesthetics based on the theory of reflection can be viewed from both the positive and negative aspects of the female image Interpretation of the topic, so the most suitable for the analysis of realism text. ”~ ① Although Park Wanyu has long been famous, the status of the contemporary literary world in Korea is indestructible, people for her early works still like to concentrate on the theme of the research level, There are few studies on the narrative methods in the book. Park Wanyu was born in 1931 and spent her childhood in the Japanese occupation. In 1950 she entered the Seoul National University literature, and is committed to becoming a writer. When her brother died in the war, she had to give up her studies to the U.S. military