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王羲之的《兰亭序》是以他的情感、素养的综合主体为媒介而汇集成为“花开两枝”的两篇名作。出于文章与书法同时诞生的特殊情景,割裂任何一种单独研究都是不完整的探导,只有把两者的联系疏理清楚才有可能追探它的本质。本文试从研读王羲之《兰亭序》的文学艺术,品味《兰亭序》的书法艺术,找出从中文章与书法艺术之间的联系,探讨文学艺术和书法艺术融为一炉的意趣。
Wang Xizhi’s “Orchid Pavilion Preface” is a collection of two masterpieces of “Two Flowers with Two Flowers”, based on the comprehensive subject of his emotion and accomplishment. Because of the special circumstances in which articles and calligraphy are born at the same time, it is an incomplete exploration of any kind of separate study, and it is only possible to trace its essence by straightening out the connection between the two. This article attempts to study the literary arts of “Lanting Preface” by Wang Xizhi and taste the calligraphic art of “Lanting Preface” to find out the connection between Chinese art and calligraphy art and explore the fusion of literature and calligraphy art.