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“白毛女应该嫁给黄世仁”的流行话题,折射出了近百年来中国社会结构中复杂而深刻的精神变迁。大众视域下的“白毛女”依然停留在“艺术世界”中的文化符号之中;而90后大学生的“白毛女”和“黄世仁”则还原为历史中、现实生活中具体的个人,即一个消解了阶级仇恨的、处于日常生活场域下的“穷家女”和“富家男”。90后“白毛女”愿嫁“黄世仁”的选择,既是历史文本化、意识形态化的文学叙事尴尬,也是当代人文精神与教育的悲哀,显现了当代社会经济结构与“新意识形态”笼罩下90后“白毛女”的生存窘境与精神之殇。
The popular topic of “White-Haired Girl Should Marry Huang Shiren” reflects the complicated and profound spiritual changes in China’s social structure in the past hundred years. The “White-Haired Girl” still stays in the cultural symbols in the “Art World” under the public view; while the “White-Haired Girl” and “Huang Shiren” in the post-90s are restored to history In the real life of a specific individual, that is, a digestion of class hatred, in the daily life of the field “poor family woman ” and “rich man ”. The choice of “White-Haired Girl”, “Willingness to Marry” and “Huang Shiren” after 90 is both an embarrassment of literary narration of historical texts and ideology and a tragedy of contemporary humanistic spirit and education, which shows the relationship between contemporary social and economic structure and “ The new ideology ”under the shadow of 90 “ White-Haired Girl ”survival dilemma and spiritual 殇.