古人之临摹前贤法帖,以形神兼备为尚,务期去我存古。及至明清之际,诸名家临古帖,或取其形,或得其神,而必见己意,如董其昌、王孟津之临古更多是自家精神,所谓“借他人杯酒,浇自家块垒”。临写至此,不殊创作,世人亦以创作目之。况君此作临董其昌《米芾<蜀素帖>跋》亦当作如是观,起首数字与董稍见形似,而渐自抒写顺畅,至得意处连绵而下,则风生水起,自具波澜,通观全篇,平和清雅,俊秀明朗,而 The ancient copy of the former Yin Fateh, in order to shape and God as both Shang, I save to save the ancient period. By the time of the Ming and Qing Dynasties, all the masters of the ancient ancient posts, or to take its shape, or its God, but must see their own meaning, such as Dong Qichang, Wang Mengjin’s Pro ancient is more their own spirit, the so-called Pour their own block base “. Pro write here, not special creation, the world also creative purpose. The status quo Jun Dong Qichang ”Mi 芾 postscript" is also regarded as the concept of concept, the first figures and Dong slightly see the shape, and gradually from the smooth description of the descent to the Office of continuous, the wind and water, Since the waves, through the whole article, calm and elegant, handsome and bright, and