论文部分内容阅读
明星学研究大多集中在社会语义和意识形态研究范畴的背景下,而难得从电影本身切入。本文通过对美国1g50年代著名女星拉娜·特纳四部不同时期的经典作品在电影语言和电影表意方面的分析,比如人物的塑造、叙事展开、场面调度等等,结合明星集角色与个人形象于一身与作品的呼应关系,层层剖析了在好莱坞制片厂商业化的电影生产运作体系中,明星如何被塑造,又如何利用其形象反作用于影片表达和呈现。本文从明星个案看普泛现象的本质,洞悉并揭示了美国电影明星具体运作机制的秘密与神话。
The study of celestial science mostly concentrates on the background of social semantic and ideological research categories, but rare from the movie itself. This article analyzes the four aspects of film genre and movie ideology from four different classic works of the United States of America, named Ignatius of the 1950s, such as the characterization, the narrative expansion, the scene scheduling and so on. Combining the star’s role and personal image In an echoes with the work of the relationship between layers of analysis of the Hollywood studios commercialized film production and operation system, how the stars are being shaped, and how to use the image of the reaction to the film expression and presentation. This article from the star case to see the general nature of the phenomenon, insight and reveal the secret of the specific operating mechanism of American movie stars and myths.