我在青年时代曾看过两部戏曲电影,《梅兰芳的舞台艺术》和程砚秋主演的《荒山泪》,导演是“神童”剧作家吴祖光先生,至今记忆犹新。越调艺术大师申凤梅当年演出的《牛郎织女》,就是他编写的剧本。后来,我陆续观看了中国评剧院新凤霞主演的《花为媒》,北京京剧团王玉珍主演的《三打陶三春》。我在上海戏剧学院导演进修班学习期间,还观看了上海青年话剧团演出的《闯江湖》。尤其是到 I have seen two operatic films in my youth, Mei Lanfang’s Stage Art and Cheng Yanqiu’s “Barren Mountains and Tears,” directed by “Wu Zhuguang,” a dramatist of the “Prodigy,” still freshly remembered. The more artistic master Shen Fengmei performed that year, “Cowherd and Weaver,” that is, he wrote the script. Later on, I watched the “Three Flowers, Three Sects, Tao Chun” starring “Flowers for the Media” starring Xin Fengxia of the China Ping An Theater and starring Wang Yuzhen from Beijing Opera Troupe. During my studies at the Shanghai Theater Academy, I also watched “Chuang Jiang Hu” performed by the Shanghai Youth Repertory Theater. Especially to