《乐记》作为儒家学派的音乐思想著作,它的内容和形式在中国的音乐美学史上享有极高的地位。本文通过对《乐记》的音乐本源、特征、社会功用三个方面进行探讨,得出《乐记》对中国音乐美学史做出了巨大的贡献,并集中体现了儒家音乐美学的思想。 As a musical thought book of Confucianism, “Yue Ji” enjoys a very high status in the history of Chinese music and aesthetics in its content and form. Through the discussion of the origin, characteristics and social functions of music in Yue Ji, this paper draws the conclusion that “Music Records” made great contributions to the history of Chinese music aesthetics, and embodied the thought of Confucian music aesthetics.