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法国文艺理论家瓦尔特·本雅明提出独特的“灵光”概念来分析西方艺术演化和建构史,本文试图从影像作品对客体本质的揭示角度对“灵光”做出新的阐释。
The French literary theorist Walter Benjamin proposed a unique concept of “Emmanuel” to analyze the history of Western art evolution and construction. This article attempts to make a new interpretation of Emmanuel from the angle of revealing the nature of the object in the video works.