从20世纪三十年代至世纪末,李焕之始终没有停下手中的笔,他一面写现实生活、歌颂时代;一面写民族风情、以古抒怀。他既写出了像《社会主义好》那样脍炙人口的群众性合唱作品,也写出了像《胡笳吟》那样艺术性极高的合唱精品。从最初纯西方化风格到中西融会风格的转变,再到民族合唱艺术风格的潜心探索与不断深化,他的合唱创作风格总是伴随着时代的变迁而不断衍变着。 From the 1930s to the end of the 20th century, Li Huanzhi never stopped his pen. Instead, he wrote real life and celebrated the times. On the other hand, he wrote national customs and expressed ancient times. He wrote both mass chorus works that were as popular as “Socialism Good” and choreographed choreographs of the highest artistry such as “Hu Yong Yin”. From the initial Pure Western style to the transformation of Chinese and Western style, and then to the national chorus art with painstaking exploration and deepening, his chorus style of writing always along with the changes of the times and constantly evolved.