作为明朝宣德年间的内廷画家李在,存世作品稀少,对他的介绍散落古籍文献之中,他山水师法郭熙及马远、夏珪,有细润与豪放两种风格。淮安明王镇墓出土的李在的《萱花图》和《米氏云山图》却为我们展示了他的另一种画风。本文通过对这两幅作品的分析,为我们全面认识李在提供了新的视角。 As the court painter Li Zaixian in the Ming Dynasty, the works of the surviving survivors are sparse, and his introduction to the scattered ancient literature, his landscape pedagogue Guo Xi and Ma Yuan, Xia Zu, there are fine and bold style. Li Hua’s “Xuan Hua Tu” and “Mie Yunshan Figure” unearthed in the Ming Tombs of Huai’an show us another style. Through the analysis of these two works, this article provides a new perspective for us to fully understand Li.