自20世纪初期我国传入钢琴以来,其独特的艺术气质很快吸引了大批钢琴爱好者,也因而在国内快速兴起。来自西方的钢琴作品以自身独特的魅力很快在中国奠定了群众基础,并快速成为了我国人民喜爱的一种音乐形式。就钢琴自身而言,不但表现力丰富,而且音域也非常宽广,相较于传统的中国音乐形式而言,优势明显,个性独立。然而,若我们只是一味地模仿西方的钢琴作品,那么对于本土钢琴作品的发展是非常不利的。因此,文章将围绕钢琴作品在我国民族传统文化中的艺术表现方面进行分析。 Since the early 20th century, our country has introduced the piano, its unique artistic temperament soon attracted a large number of piano lovers, and thus the rapid rise in China. Piano works from the West, with their own unique charm, quickly laid the foundations of the masses in China and quickly became a form of music loved by our people. As far as the piano itself is concerned, not only is it rich in expressive force but also very wide in its sound field, its advantages are obvious and its individuality is independent compared to the traditional forms of Chinese music. However, if we just imitate Western piano works blindly, then the development of local piano works is very unfavorable. Therefore, the article will focus on piano works in our national traditional culture in the art performance analysis.