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本文以付阳华先生的《明遗民画家研究》1为理论来源,对于少数民族入侵时期的遗民画家的守变情节进行了详细的分析。通过对元清两代遗民画家的人格对其影响分析研究而得到结论,希望指导当代画家应有的人格作风,来促使当代艺术界的繁荣与发展。自付阳华先生后,遗民画家的研究陷入了单向化的困局,而此文力求打破此种局面,提成不同声音,希望给以画家人格自立的理论能为美术史界做出贡献。
In this paper, Mr. Fu Yanghua’s “Ming Dynasty painter research” 1 as the theoretical source, during the invasion of ethnic minorities painter surviving plots were analyzed in detail. Through the analysis of the influence of the personality of the painters in the Yuan and Qing dynasties, it is concluded that it is hoped to guide the contemporary painter’s personality style to promote the prosperity and development of the contemporary art world. After paying Mr. Yang Hua, the painter’s study fell into a unidirectional predicament, and this article seeks to break this kind of situation, put forward different voices, and hope that the theory of giving painter self-reliance can contribute to the historical art circle.