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胶东大鼓,产生流传于山东东部胶东半岛沿海各县,因系盲艺人创始并演唱流传,起初便叫“盲人调”。又因其主要伴奏乐器亦用书鼓、三弦,与其他鼓类形式相同,故亦称“大鼓”。起初流行何地则冠以该地名称,如福山大鼓、荣成大鼓等。直到1949年9月,梁前光在青岛大众游艺社演唱时,胶东文化协会根据这一曲种流行地域,语言特色,定名为胶东大鼓。“盲人调”与本省其他地区之“瞎腔”有不少相似之处。早期演唱“盲人调”的艺人有乾隆初年荣成刘学义,其后有乾隆五十二年(1987)莱阳的徐尚厚;道光十八年(1833)福山的刘行有;
Jiaodong drums, resulting in the eastern Shandong Jiaodong Peninsula coastal counties, because of the Department of blind artists founding and singing popular at first called “blind tune ”. Because of its main accompaniment instruments are also used drums, sansha, and other forms of the same drums, it is also known as “drum ”. Originally popped where the name of the place, such as Fukuyama bass, Rongcheng bass drums and so on. Until 1949 September, Liang Qian Guang in Qingdao Volkswagen entertainment club singing, Jiaodong Cultural Association based on this popular species, language features, named as Jiaodong bass. “Blind man ” and other parts of the province “blind cavity ” there are many similarities. In the early stage of the concert, “blind tune” artists included Rongcheng Liu Xueyi in the early years of Qianlong and Xu Shanghou in Laiyang in the 52nd year of Qianlong (1987); Liu Xingyou in Fu Shan in the 18th year of Daoguang (1833)