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本文首先对九十年代后期的社会文化语境作了概述,并在此基础上界定了`主流电影’的概念；对具体文本的论述就在这一框架中展开.《国歌》、《红色恋人》及《黄河绝恋》为这种论述提供了可供讨论的个案,而`十七年’革命经典电影的叙事模式及策略运用,则构成了观察的参照系.通过对不同文本关于英雄与女性表象的重塑和改写以及相关编码方式的分析,笔者试图揭示有关历史的话语与当下现实处境的关系,同时也尝试说明不同书写方式所具有的可能与局限.
This article first gives an overview of the socio-cultural context of the late nineties and defines the concept of ’mainstream movie’ on this basis. The discussion of specific texts begins with this framework. “National Anthem,” “Red Lovers ”And“ Journey of the Yellow River ”provided the basis for this discussion for discussion, and the narrative mode and strategy of the 17-year-old revolutionary classic movie formed the frame of reference for observation.Through the analysis of different texts about hero and The remodeling and rewriting of female images and the analysis of related coding methods, the author attempts to reveal the relationship between the historical discourse and the current situation. At the same time, it attempts to illustrate the possibilities and limitations of different writing styles.