戏的结尾是很要紧的,一位剧作家甚至说:“你问我怎样写戏,回答是从结尾开始。”结尾是停,是收,但一停一收也大有“学问”,要做到脱俗、有意蕴,自非易事。看戏不多,看过的戏结尾如何,大抵淡忘了。但有两个戏的结尾却给我留下较深的印象。一是《小巷深深》。戏结束了,“小巷”里的人物又一个个悄悄走进画面,按不同组合、位置,以不同的生活造型,在诗情画意之中“定格”。另一个戏是《红白喜事》。尾声处借后景高音喇叭中广播的效果,突然“静场”,满台人物动作停止,背景天幕映出一片红光,人物群 The end of the play is very important, a playwright even said: “You asked me how to write drama, the answer is from the end.” The end is stopped, is closed, but a stop and go have a lot of “learning” to To be refined, there is meaning, since it is not easy. Little drama, seen the end of the show how, probably forgotten. But the end of the two plays left a deep impression on me. First, “alley deep.” The play is over, the characters in “alley” one by one quietly into the screen, according to different combinations, positions, with different life style, in the poetic “freeze grid.” Another is the “red and white happy event.” End by borrowing the background of the tweeter in the radio effect, a sudden “static field”, full of characters stopped, the background of the sky reflected a red light, the crowd