水彩作为外来画种远比不上油画的热衷度,藏族题材内容的水彩画作品也少之又少。本人以毕业水彩作品《祈》的创作历程为例,从创作背景、所受画家影响、毕业作品诞生和感悟四个方面进行论述,探讨藏民族情怀下独具特色的水彩语言,引发人们对于民族文化和传统技法传承问题的思考以及水彩画语言的探索与创新。 Watercolor as an exotic painting is far less than the enthusiasm of oil painting, watercolor content of the Tibetan subject matter is also very small. I take graduation watercolor painting “prayer” as an example, from the creation of the background, influenced by the painter, the birth of the graduation work and perception of four aspects to discuss the Tibetan nationality under the unique watercolor language, triggering people for the nation Cultural and traditional techniques of thinking on the issue of inheritance and watercolor language exploration and innovation.