石涛云:“得乾坤之理者山川之质也。得笔墨之法者山川之饰也。知其饰而非理,其理危矣。知其质而非法,其法危矣……画之理,笔之法,不过天地之质与饰也。”(《石涛画语录·山川章第八)》这是中国人理解画之理、笔之法乃“质”与“饰”。造型艺术具有一个脱离于自然原型本身的距离,需在艺术造型中以一种艺术形式表现出来,因此,“所有造型艺术在深层本质中 Shi Tao Yun: ”Heaven and earth have reason for the quality of the mountains and rivers.“ The law of the pen and ink mountains and rivers also know its decoration instead of reason, the crisis of danger ... Know its quality and illegitimate, the law dangerous ... ... ”The law of the pen, but the quality of the world and decoration also.“ (”Shoushu Quotations · Mountains Chapter eighth)“ This is the Chinese understand the reason of painting, the law of the pen is ”“ and ”decoration “. Plastic art has a distance from the natural prototype itself, the need to be in the art form in an art form, therefore, ”all the art in the deep nature