论文部分内容阅读
庞德《比萨诗章》中的卡律布狄斯漩涡并非只是古希腊神话的诗歌变体,更是西方天文学的旋转宇宙论、物理学的虫洞旋转学说、基督教的地狱下行路径、欧美文学欲望传统和漩涡主义诗学铸就的跨学科结晶,同时建构了庞德熟知的相对论概念框架下的地狱空间穿越语境。据此诗人巧妙利用漩涡隐喻将监狱和地狱两种相对独立的宇宙连接一体,不仅应和了相对论“克尔虫洞”内外“事件视界”两类特殊的能层模型,而且揭示了西方现代灵魂欲壑难填的堕落根源,最终建构了基督教末世论的空间堕落之旅和地狱漩涡穿越的相对论诗学隐喻。
The Karolumbis vortex in Pound’s Psalms is not only a variation of poetry in ancient Greek mythology but also a rotational cosmology in Western astronomy, a wormhole rotation theory in physics, a descent path of Christian hell, a desire of European and American literature Traditional and swirling poetry cast across the interdisciplinary crystallization, while building the well-known concept of relativity under Pound’s hell space through the context of context. Based on this, the poet cleverly uses vortex metaphors to connect two relative independent universes, namely, prison and hell, not only with two special types of energy models, such as relativity, Kerr’s wormhole, internal and external event horizon, In the end, the source of the fallen nature of the modern soul-seeking in the West, finally constructed the metaphorical relativistic poetics of the fallen journey of Christian eschatology and the hell swirling through.