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藏族作家次仁罗布的创作内蕴着独具匠心的三重奏:通过辩证法的灵活运用与外部世界达成和解,实现对藏民生命张力的有机呈现;在“缺失”与“错位”的深刻洞察中质疑既定观念和惯性思维,反抗外部世界对作家主体的挤压,实现性灵深处的呐喊;在对灵魂的深度开掘中介入藏民原生态的鲜活生命,开启对自我与历史的双重拷问。三重技法交相辉映,一方面助力其独特审美价值的建构,一方面践行着为藏族文化正名的责任与使命。
The creation of the Tibetan writer Tsering Rob has a distinctive trio: the solution to the external world through the flexible use of dialectics, and the realization of the organic tension to Tibetans; the profound insight into the “missing” and “misplaced” Questioning the established ideas and inertial thinking, resisting the squeeze of the writer’s subject from the external world and realizing the cry of deepness in the spirituality; interveneing the vivid life in the original ecology of Tibetans into the depth digging of the soul and opening up a double torture of self and history . Three techniques complement each other, on the one hand help its unique aesthetic value of the construction, on the one hand practice the responsibility and mission of the correct name for Tibetan culture.