众所周知,在杂剧与南戏的早期阶段,艺人对剧本及戏曲艺术的接受,主要通过师徒口耳相传,但随着戏曲艺术的发展和观众欣赏水平的提高,对精品意识的追求逐渐成了欣赏群体与创作、演出团体的共同追求,单齣(折)选本与折子戏、短剧的出现,恰适应了戏曲传播的客观情势。 As we all know, in the early stages of Zaju and Nanxiu, artistes accept the script and the art of opera primarily through precepts and apprentices, but as the development of opera art and appreciation of the audience, the pursuit of fine consciousness has gradually become appreciated The common pursuit of groups and creations and performing groups, the selection of a single (discount) and the play-off, the appearance of drama, just to adapt to the objective situation of the spread of drama.