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中国二十世纪现实主义文学创作的发展轨迹背离本真实存,并围绕它上下波动。这不是对现实主义文学以真实为生命的基本原则的否定,而恰恰是将“本真”这一原则贯彻到艺术创作过程中时其作用的表现形式。
The development path of China’s twentieth-century realist literary creation deviates from its real existence and fluctuates around it. This is not a denial of the real principle of life as the realism literature, but rather an expression of its role in carrying out the principle of “truth ” in the process of artistic creation.