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以西方情感论为基础,本文对音乐美进行重新解读,认为音乐实质是一种作家创作与观众欣赏过程的情感建构的过程。在音乐的创作过程中,作家不是对音乐符号简单的罗列,而是用一种符号的方式传达个人情感、孕育音乐情感、引导受众情感的特殊的艺术创作。同时作为欣赏者,除了对音乐外在的音韵美的欣赏,更重要的是通过外在的音符形式来揣摩作家以及音乐本身与自身情感共鸣的结合点。作家情感、欣赏者的心理共鸣以及音乐本身情感的微妙传递,才共同构成音乐情感的特殊存在。
Based on western sentiment theory, this paper re-interprets the beauty of music and argues that the essence of music is a process of emotional construction of writer’s creation and audience’s appreciative process. In the process of music creation, writers do not simply list the music symbols, but use a symbolic way to convey individual emotions, nurture music emotions, and guide the audience’s special artistic creation. At the same time, as the appreciator, in addition to appreciating the beauty of the external sound of music, it is even more important to try to figure out the combination of the writer and the music itself with the emotional resonance through the external note form. Writers’ emotions, psychological resonance of appreciators and subtle transmission of music’s own emotions jointly constitute the special existence of musical emotion.