贾方舟(美术批评家、策展人、学术主持):“彩墨”是李志强采用的表现手法和语言特征。“彩墨画”这个概念曾经在上世纪50年代初使用过,后来被废止,一律称“中国画”。80年代后,“中国画”在很多场合又被“水墨画”所取代。但从媒介材料的角度看,李志强重新使 Jia Fangzhou (art critic, curator, academic chair): “Color Ink ” is the style of expression and language features used by Li Zhiqiang. “Color ink painting ” This concept was used in the early 50s of last century, was later abolished, all called “Chinese painting ”. After the 1980s, “Chinese painting” was replaced by “ink painting” on many occasions. However, from the media point of view, Li Zhiqiang re-make