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中国小提琴的基础教育特别好,学生们的基础打得很扎实,在这么一个坚实的基础上你去教他就比较容易。高层次的学习与教学应该是超越技术层面的。一个非常优秀的教师应该同时是一个非常优秀的演奏家。演奏家与他的琴是一种互动关系。如果一个演奏家在演奏时情绪的幅度变化很大,他必然要一把能承受这种变化的琴。对大众来讲获了奖是最高的成就,但实际上作为演奏家这仅仅是开始,仅仅是获得了一个走上世界舞台的机会。我在国外看得太多太多,在商业社会中,艺术与名气并不是完全成正比的。对很多演奏家来说,要么你累得要死,要么就闲得要死,这是一种很不健康的生活,但却是现实的生活。我希望将来能自主一点,让自己更多地享受生活。无论过去当学生还是现在,我很多东西都是在音响上学的。听音响太重要了。
Chinese violin basic education is particularly good, the students play very solid foundation, on such a solid foundation you teach him more easily. High-level learning and teaching should be beyond the technical level. A very good teacher should be a very good performer at the same time. The performer is an interactive relationship with his piano. If a virtuoso changes emotionally in performance, he must have a piano that can withstand such changes. Winning a prize for the general public is the highest achievement, but in fact this is just the beginning as a virtuoso, just getting a chance on the world stage. I see too much in foreign countries, in the business community, art and fame is not exactly proportional. For many performers, either you’re dying or you’re dying, it’s a very unhealthy life, but it’s a real life. I hope that in the future, I will be more independent and enjoy myself more. In the past when students or now, I have a lot of things in the audio school. Listening to sound is too important.