中国戏剧,近几十年来走过艰难曲折的道路。极左路线统治时期,把戏剧当作阶级斗争的工具,评判一个戏的好坏,首先不看它像不像个戏,而看它思想性如何,能不能为政治服务。这就导致了戏剧创作的“题材决定论”和公式化、概念化。粉碎“四人帮”后,通过拨乱反正,开始强调戏剧不仅要 Chinese drama, the difficult road in recent decades. During the reign of the ultra-leftist line, the theater was used as a tool for class struggle to judge whether a drama was good or not. First of all, it did not look like it was a drama. To see how ideologically it could serve politics. This has led to the “theme determinism” of drama creation and its formulation and conceptualization. After the smashing of the “Gang of Four,” we started to emphasize that drama should not only be done by disrupting the order of the Gang of Four