徽班是明清戏曲发展的重要环节,它的重要作用在于完成了昆、徽、京三大剧种的传承和发展。所谓“徽”,历史上称徽调,徽调并不是单项声腔,而是包括吹腔系统声腔和皮簧声腔的多声腔剧种,徽调即徽剧。这是我国戏曲史上具有里程碑意义的第一个多声腔剧种。辩证唯物主义认为,形式和内容是任何事物都必须具有的两个侧面,任何内容都具有某种形式,都是某种形式的内容;任何形式也都具有某种内容,都是某种内容的形式。同样,戏曲声腔是由声腔内容和演唱形式两个侧面组成的,没有声腔内容的演唱形式,或者没有演唱形式的声腔内容,事实上都不存在。本文拟根据这一辩证法则。重新研究安徽省图书馆和石台县珂田乡的抄本资料,进而探索昆、徽、京三大剧种传承和发展的形式衍变规律。具体如下: The emblem class is an important link in the development of drama in the Ming and Qing dynasties. Its important function is to accomplish the inheritance and development of the three major operas in Kunming, Anhui and Beijing. The so-called “emblem”, historically known as emblem, emblem is not a single sound chamber, but including the sound system and the muffler cavity acoustic multi-sound chamber Opera, Emblem that Anhui Hui drama. This is the first multi-vocal drama in China's opera history with a landmark. Dialectical materialism holds that form and content are two aspects that any thing must have. Any content has a certain form and some form of content. Any form also has some kind of content, all of which is a kind of content form. Similarly, the soundtracks of the opera are composed of the two sides of the vocal content and the singing form, and the singing without the vocal cavity content or the vocal cavity without the vocal form virtually does not exist. This article is based on this dialectic. Re-study the Anhui Provincial Library and Shitai County, Ketian Township transcripts, and then explore the Kun, Hui, Beijing three forms of inheritance and development of the law of evolution. details as follows: