人们通常把演员的表演艺术,概括为在舞台上塑造有血有肉、有灵魂的活生生的人物。我在中国青艺演出的《原野》中扮演焦氏的过程中,正是力求把这个令人憎恶的人物当做一个活人来创造的。剧本中关于焦氏的舞台提示是:“一位嶙峋的老女人”,“有着失去瞳仁的人的猜疑,性情急躁;敏锐的耳朵四面八方地谛听着。”我本人的条件距这些要求甚远,如何在我这样一个具体的演员身上来体现 People often put the performing arts of the actors as a living creature with flesh and soul on the stage. In the process of playing Jiao in the “Wilderness” performed by China Youth Arts, I tried to create this abhorrent character as a living person. The stage’s tip about Jiao is: “An old woman,” “suspicious of a person who has lost her pupils, impatient; her sharp ears listen in all directions.” My own condition is so far from these demands, How to reflect on a concrete actor like me