我是在传统舞台创作思维中成长的话剧演员。多年实践使我深深感到表演创作是一条艰辛的历程。面对的是多样化多功能创作状态,演员没有挑选剧本、选择导演的自由。表演创作是在剧本规定的基础上,又在导演二度创作之中,既要“情感的现实体验”又要“理智深邃的分寸把握”;既要会在幻想主义演出中深入规定情景,让观众看到逼真的再现技能,又要在探索实践演出中随着舞台时空交错更替人物意志的 I am a comedian who grew up in the traditional stage of creative thinking. Years of practice made me deeply feel that performance creation is a difficult process. Faced with a variety of multi-functional creative state, the actor did not pick the script, choose the director’s freedom. Performance creation is based on the provisions of the script, but also in the director’s second creation, it is necessary to “emotional reality experience” and “rational sense of profound sense of proportion”, it is necessary to go deep in the fantasy performances Scenario, so that the audience to see the realistic reproduction skills, but also in the exploration of practical performance with the stage of time and space staggered to replace the will of the character