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李商隐的出现,似乎打破了诗国的旧有格局。他一方面严谨地继承和发展了诗歌的各种形式体裁,尤其以七律的精工蕴藉为人称叹;另一方面却又在内在的主题、情感蕴含上渗入了很多新的因素,并进而把诗歌导入了一个新的境界,使诗到晚唐,而余味无穷。他把自我融入了诗歌,也在诗歌中发现了自我,从而形成新的规范。文章主要通过与杜牧诗的比较来分析李商隐诗作的这些特点,从而得出李商隐诗能自成宗派的原因。
The appearance of Li Shangyin seems to have broken the old pattern of the poetic country. On the one hand, he inherited and developed various forms of genres of poetry, on the one hand, especially sighs of sentiments of sepulchral; on the other hand, he infiltrated a lot of new elements into his inner theme and affective implication, A new realm, so that poetry to the late Tang, and aftertaste. He integrated himself into the poetry, but also found himself in poetry, thus forming a new norms. The article mainly analyzes these characteristics of Li Shangyin’s poems by comparing with Du Mu’s poems, and draws the conclusion that Li Shangyin’s poems can become their own sectarianism.