论文部分内容阅读
漆之为用,史近万年;漆之为画饰,史近三千;漆画立帜,史两千年矣。漆者,光泽华,似乌金而质滑;触觉润,近碧玉而非寒。明丽而堂皇,庄重而富贵。皇家气派,宫廷风范,古之时,非王族官家无以为用,马王堆出土文物可证之。 漆画多用各类镶嵌材料,仅金属类便有:丝、片、粉、角等,其它者如蛋壳、螺细、骨、牙、玉、石、贝……来者不拒,皆埋漆之中。规而范之,缘而逢之,各得其所,自然天成,再造一个天地于尔眼帘。
The paint is used, the history of nearly a million years; paint as a decorative painting, the history of nearly three thousand; paint legislation, the history of two thousand years. Lacquer, shiny China, like black and smooth; touch, close jasper rather than cold. Bright and magnificent, solemn and wealthy. Royal style, court style, ancient time, non-royal family officials useless, Mawangdui archaeological finds evidence. Paints and more with all kinds of mosaic materials, only the metal will have: silk, film, powder, angle, etc., others such as eggshell, snail, bone, teeth, jade, stone, shellfish ... ... Among the paint. Regulation and the Fan, the edge of every coincidence, each has its own, natural Tiancheng, recreating a heaven and earth in Seoul eyes.