论文部分内容阅读
中国历史文化灿烂辉煌,中国古代女性的发饰作为其中的一部分,在人类文明传承的过程中生成、演变、发展。唐代画家以积极入世的行乐闲逸观密切关注着丰富多彩的现实社会,热衷于表现贵族妇女悠闲的生活方式和雅逸的生活情调。宫廷画家的绮罗人物画刻画精致,色彩柔丽,画中的发饰代表着我国古代盛世妇女发饰的面貌,所表现出的装饰美和形式美具有典型的唐代审美特质。绮罗人物画记录了唐代发饰材质美的整体形态,也诠释了对女性心灵的关爱。外在美正是唐代绮罗人物画内涵美的表现。
Chinese history and culture are splendid and magnificent. As an integral part of ancient Chinese women’s hair accessories, they are generated, evolved and developed in the process of the inheritance of human civilization. In the Tang Dynasty, the painters actively pay attention to the colorful and realistic society with an active attitude of joining the WTO and are keen on showing the leisurely life style and elegant life of aristocratic women. Court painter’s Qiluo portraits portrayed exquisite, soft colors, hair ornaments represent the face of ancient Chinese women’s hair ornaments, the decoration of the United States and the United States show the beauty of the typical aesthetic characteristics of the Tang Dynasty. Qiluo portraits record the overall shape of the Tang Dynasty hair material beauty, but also the interpretation of the love of the female mind. The external beauty is exactly the beauty of the Qiluo figure in the Tang Dynasty.