四程式还是内容? 我们常说,一出《十五贯》救活了整个昆曲剧种。实际上,救活了昆曲剧种的,并不是它的程式,而是使《十五贯》内容发生质的变化的新观点。原来只是一出公案戏的题材,在新思想的指导下,一经变革,就具有了新的面貌。这样的内容,对于传统程式,必然要求有所取舍,有所突破;因而,程式也就转化而赋有了新的色彩。 Four programs or content? We often say that a “fifteen consistent” saved the entire Kunqu Opera. In fact, it is not a program that saves Kunqu Opera, but a new viewpoint that makes a qualitative change in the contents of the “Tenth Five-Year Plan.” Originally, it was only a matter of public drama that, under the guidance of the new thought, once changed, it had a new appearance. Such content, for the traditional program, will inevitably require some trade-offs, a breakthrough; thus, the program will be transformed and given a new color.