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婴戏图像是金代墓葬的重要装饰主题之一,通常以童子戏花、童子戏绣球和儿童乐舞(社火表演)等形式出现在墓葬的各个装饰部位中。本文试图以晋南地区金代墓葬为中心,将婴戏图像置于墓葬整体空间中进行解读,探求它与仿木结构、墓主像之间的关联,并结合当时世俗阶层对死后往生净土和子孙昌盛的双重诉求,讨论金墓装饰中的双重信仰。
The image of the play is one of the major decorative themes in the tombs of the Jin Dynasty, and is usually found in various decorative parts of the tombs in the form of boy plays, boy plays hydrangeas and children’s music and dance. This paper attempts to interpret the images of the play in the whole space of the tombs with the Jin Dynasty tombs in Jinnan as the center, and to explore its relation with the wood structure and the masters of the tombs. Combining the then secular classes, And the pros and cons of the dual claims, to discuss the double belief in the gold tomb decoration.