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本文以中国台湾的当代纤维艺术案例为切入点,从博伊斯的社会雕塑观念出发,探讨纤维艺术背后编织行为本身的社会学层面的象征意义,进而从社区概念、环境营造乃至于城市规划的宏观层面探讨艺术作品背后不同区域、不同层面的社会关系问题。本文将社会编织视为一件更绵延的、未完成的社会雕塑,从而以一种“介入”式的视角,探讨纤维艺术是如何以一种蜘蛛织网式的工作方式,在城市的缝隙中处处结网,处处结缘。
This article takes the case of contemporary fiber art in Taiwan of China as an example. Based on Boyce’s concept of social sculpture, this paper explores the symbolic meaning of the social science behind the weaving behavior of fiber art. Then from the concept of community, environment and urban planning At the macro level, we discuss the social relations at different levels and at different levels behind the works of art. In this article, social weaving is regarded as a more extensive and unfinished social sculpture, so as to explore how fiber art works as a spider web in the urban Slit in the network everywhere, everywhere.