对康定斯基而言,几乎每一种色彩都能够在音乐中找到相对应的乐器,他认为:“蓝色是典型的天堂色彩,它所唤起的最基本的感觉是宁静。当它几乎成为黑色时,它会发出一种仿佛是非人类所有的悲哀。当它趋向白色时,它对人的感染力就会变弱。”因此他断言,淡蓝色是长笛,深蓝色是大提琴,更深的蓝色是雷鸣般的双管巴松,最深的蓝色是管风琴。当蓝色和黄色均匀调和成为绿色时,康定斯基继承了印象派的成果,他感到绿色有着特有的镇定和平静,可是当它一旦在黄色或者蓝色 For Kandinsky, almost every color can find the corresponding instrument in the music, he thinks: “Blue is a typical paradise color, the basic feeling it arouses is serenity.When it almost When it becomes black, it sends a mourning that seems to be non-human, and its infectivity weakens as it tends to white. ”" So he asserted that pale blue was a flute, dark blue was a cello, The deeper blue is the thunderous twin pipe, the deepest blue is the organ. When the blue and yellow harmonized into green, Kandinsky inherited the Impressionist achievement, he felt green has a unique calm and calm, but when it is in the yellow or blue