1992年3月21日,本刊在华东化工学院文化研究所的同志的大力协助下,邀请了数位上海文艺界、学术界的中、青年理论家、评论家,在沪召开了“中国电影现状与中国文化”研讨会。虽然参加会议的同志大多来自电影圈外,但是他们从广泛的角度,尤其是从中国文化的视角,对于新时期以来,特别是近几年来中国电影的创作实践、艺术评论、理论研究等方面的状况进行了比较深入的分析与评议。现刊出研讨会上的发言,以飨电影界人士及广大读者。 On March 21, 1992, with the strong assistance of the comrades of the Institute of Culture of East China Institute of Chemical Technology, we invited a number of middle-aged and young theoreticians and critics in Shanghai’s literary and art circles and academics to hold the “Current Situation of Chinese Movies And Chinese culture ”seminar. Although most of the comrades attending the conference are from the outside of the film circle, from a wide range of perspectives, especially from the perspective of Chinese culture, they are particularly interested in the creative practice, art criticism and theoretical study of Chinese cinema in recent years, especially in recent years The situation conducted a more in-depth analysis and comments. Now published speeches at the seminar, to the film industry and readers.